摘要

学术界对魏晋南北朝小说的研究重点历来集中在《搜神记》和《世说新语》这两部书上。建国以来对志怪小说的分类,一般以《搜神记》、《博物志》和《拾遗记》分别作为志怪小说中杂记体类、地理博物类和杂史体类三个子类的代表。由此可见,《拾遗记》在志怪小说中的地位十分重要。然而在古小说研究中它却一直处于不受重视的尴尬境地。

由于典籍记载的有限和年代的久远,《拾遗记》留下了很多谜。本文从三个部分对《拾遗记》进行研究:第一章对是《拾遗记》的写作背景和作者的相关介绍,重在结合王嘉所处的后赵、前秦等国的佛教、道教现状来说明《拾遗记》的

创作背景,并对王嘉形象在后世被神仙化的过程加以分析,还有对王嘉生平的大致考证。第二章是写《拾遗记》与“麒麟送子’’,“元旦画鸡",“灵鹊兆喜"等相关民俗的关系,第三章是写《拾遗记》中的女性形象分析,《拾遗记》中有为数甚多的女性形象,王嘉笔下的大多数女性形象都带有神仙气质,这是王嘉对当时以男色为美的审美观的一次反拨。

关键词:王嘉《拾遗记》民俗女性

ABSTRACT

Generally speaking,academia usually pay main attention to SOU sheri ff搜神记 and shi shuo xin yu世说新语about the novels of the Wei,Jin and Southern and Northern classification of志怪novel,generally with shou shen fi搜

神记、bo WU曲f博物志and s越∥∥拾遗记as the representation of the three

subclasses miscellanea,geography,miscellaneous can be seen shi yi ji拾遗记is quite important in ghost-,it is in the ignoring embarrassed situation in the research of ancient times novels.

As the record of ancient books and records’limitation and long run times,s胁∥

∥拾遗记remains many text does research from three chapter one,it makes a simple introduction of shi∥∥拾遗记’S writing background and the writer’S information,and bining the current situation of Buddhism,

Daoism,where Jia Wang lived in Zhao and Qin and other dynasties,to illustrate the reason why shi yifi拾遗记is Daoism,but has the image of also analyze the fairied process of Jia Wang’s image,and the roughly research of his life. In chapter two,it is the analysis of the related folk relationship of shi yi∥拾遗记 and some folk chapter three,it's the analysis of the woman are considerable number of women image,they all own the fairy temperament under Jia Wang’S is the retort of pederasty is beauty aesthetic standard

KEYWORD:Wang Jia(q=嘉)shiyifi拾遗记,FOLK CUSTOM,THE FEMALE,

Ⅱ

—1厶—_,_.

刖舌

学术界一般公认魏晋南北朝为志怪小说的完全成熟和鼎盛时期。这一时期志怪小说纷出,作者甚多,题材广泛,无所不包。此时志怪小说中的野史杂传小说亦盛行一时。在《拾遗记》之前,已有韦昭的《洞记》,皇甫谧的《帝王世纪》,来奥的《帝王本纪》,吉文甫的